Its interesting - the article has taken one view of this as the the target being Palestinian children.

However reading this, the target actually seems to he the “prank” victims. Young people are goading older israelis into showing how angry, biased and racist they are when asked to help Palestinian children, and then sharing that and laughing at them?

It feels like Israeli children are mocking Israeli adults. Its a bit crass but the targets aren’t really Palestinian children. If anything its showing just how racist Israeli adults are.

Of course there is also the disturbing element of Israeli children seeing this all as just a joke, and not seeming to care about what this means about their parents and the country they live in. To see people get so viscerally angry when asked to help starving children is shocking yet I don’t think the Israeli youth seem atnall disrtubed by how hateful the people they’re talking to really are.

One thing Phil Spencer does not seem to care about is emulation. There are already Xbox and PlayStation emulators that allow access to more of both platforms back catalogues than any of the current generation consoles are capable of…

Xbox could build cloud based emulators off the open source tools already available and make their entire Xbox back catalogue accessible to current users to stream. They could help improve the tools to ensure greater and greater compatibility for titles and then it would be there forever.

The reason it doesn’t happen is money. They dont see money in game preservation so they dont bother beyond a few big name nostalgia hits. Muse AI isn’t about game preservation, its about game development - they’re just pissing around with game preservation to feed it content as a punt on the future for it somehow making game development cheaper.

AI can make Shakespeare BETTER! Like it can put it in modern text speak, and shorten it down to fit in a 30 second tiktok, plus give space for ad breaks and temu product placement. AI will help enhance user engagement with Shakespeare and also leverage new monetisation options and cross platform synergies.

All we have to do is let people copyright AI made content because ultimately it wasn’t Shakespeare that did the hard work, it was the AI tech Bros who transformed it into a modern content meme and raised 3rd quarter profits for everyone!

Yeah, instead game preservation is being solved by abandonware and copyright infringement.

Legal open source software is doing the heavy lifting, and then torrenting is sharing by he files. But there is a huge risk as there is no safety net to preserve the niche and unpopular games.

The game publishers and broken copyright laws are blocks to preservation but fortunately people are just doing it anyway. And the more the big companies push against it (including targeting emulation systems for current systems) the more they push it underground and out of any control they might have had. Typical greed and stupidity.

The article totally misses the big intervening step between Skyrim/old Bioware and the failure of Starfield/Dragon Age: CDProjectRED.

While those studios largely just made “more of the same”, CDPR made Witcher 3 and then Cyberpunk 2077. Both games are way better narrative experiences and pushed RPG forward. Starfield looks very dated in comparison to both, and Dragon Age failed to capture to magic. Baldur’s Gate 3 and Kingdom Come: Deliverance 2 are successes because they also bring strong narratives and emotional connections to the stories.

Starfield would have been huge if it had been released soon after Skyrim. But now it just looks old fashioned, and I think the “wide as an ocean, as deep as a puddle” analogy is good for Starfield. Meanwhile Witcher 3 - which is 10 years old! - has quests and storylines with choices and emotional impact. BG3 and KC:D2 are heirs to Witcher 3.